Hawkeye’s First Two Episodes End Credits Explained

The long-awaited Marvel hook The series recently began airing on Disney+, finally giving Clint Barton (Jeremy Rennerchance to shine. The show explores the underrated hero as he takes on a young stepdaughter, Kate Bishop (Hailee Steinfeld), under his wing while battling a theatrical mob of tracksuit-clad criminals. And honestly, all Clint wants is to go home to his family in time for Christmas. The first two episodes of Hawkeye were packed with adorable dogs, mystery characters, and just enough banter to last the entire holiday season. Each episode also featured its own unique animated title sequences, which not only tell about the crew behind the show, but also give a deeper look into the characters and storyline. hook.


Both credit streaks play a clear homage to their 2012 run hook by part died And David Aja, with the art style and color palette of the montage acting as a kind of pseudo-repetition of Aja’s famous artwork on the comics. The credits are also filled with tons of nods to the comics. If you are wondering about all the secrets hidden inside hookBalanced end, you’ve come to the perfect place.

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Episode 1 Credits

After a cold, hair-raising opening recounts the Battle of the Avengers in New York from Kate Bishop’s point of view, hookThe first episode goes straight to the credits animation sequence. Powered by an inspiring orchestra score, viewers are treated to Kate’s purple-covered journey to become the world’s best bowler (according to her, at least). The sequence not only informs about the cast of the series, but it fills in the gaps between 2012 as well Avengers And hook.

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Credits open for a simple animation for Kate to capture her first arc. She tries to shoot, but she misses the point of aim with every shot. As we watch Kate grow up, we see her become more successful with her favorite weapon. Kate expands her sports with glimpses of her practice of fencing, martial arts and gymnastics. As with archery, Kate is first seen performing poorly, but over time Archer becomes a champion in everything she tries.


Image via Disney

Visually, we can see Kate’s transformation through different looks on her cup rack. When we first see him, the shelf is empty, but as she improves in each sport, the shelf fills with trophies until it overflows – a sign that Kate is finally ready for the events of the TV show. Next, Kate graduates to practice her superhero skills around New York City, before flashing a Hawkeye logo straight from the 2012 Fraction run.


The credits not only show what Kate was up to, but also introduce fans to important aspects of the character. When Kate started shooting as a child, she wasn’t particularly good at it. She is also not good at gymnastics, fencing or martial arts. But, by the end of the credits, she’s become the athlete viewers see throughout the series. This is a perfect illustration of one of Kate’s biggest attributes: design. Kate wasn’t born a perfect bowler, or anything perfect. Instead, she works on the things that matter to her until she becomes the best.

Another notable detail found in the credits: Kate’s mother, Eleanor. At the beginning of Kate’s training, Eleanor was constantly seen by her side. Always accompanying her daughter during her fall. Interestingly, by the time Kate has mastered archery, Eleanor is nowhere to be seen anymore. While exactly what this means is not clear, it may represent the failed relationship between Kate and Eleanor. While it emerged that the couple had never been close, their relationship was particularly strained due to the appearance of Eleanor’s new fiancĂ©. Eleanor’s sudden disappearance from the credits may indicate this conflict between the two.



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Image via Disney +

Episode 2 Credits

While the pilot’s credits are driven by storytelling, Episode 2’s credits are governed by aesthetics. Like the episode before it, this episode’s credit sequence uses a purple and orange color scheme and simple cartoon style inspired by Aja Art’s style. Although the sequence is meant to be neat, there are still plenty of Easter eggs to look out for.

Unlike the opening credits of the first episode, the credit sequence for the second episode comes at the end of the episode, accompanied by the elegant music played during the final scene (“Christmas Island” by Intercept mode – Highly recommended.). We can see different shots of Clint and Kate working together to take down the villains of the show, The Tracksuit Mafia, as well as some great looks at the best boy in the world, Lucky the Pizza Dog. General Hawkeye Christmas-themed images sparkle throughout the credits, like arrows shooting through Christmas lights and gifts wrapped in bow-and-arrow patterned paper. We also take a look at some of the different artifacts that appeared during the first two episodes. We can see Clint (and Kate) Ronin’s sword unwrapped before quickly transforming into the image of a moving subway train, as well as the first aid supplies the Hockey family purchased during the episode.



Hook Series - Jeremy Renner
Image via Disney

But what sets the sequence apart are its direct references to the comics. While the entire style of the final credits could be considered a nod to the show’s comic inspiration, there are some specific glimpses of the items that comic book fans are sure to recognize. Near the beginning of the credits, we see an old car driving on a snowy road. This is the same 1970 Dodge Challenger that Clint bought folder hook. 4, No. 3. In the comics, the car is stolen by the Tracksuit Mafia, causing Clint and Kate to have a car chase through the streets of New York City.

Later in the credits, we can see two purple cups with the letter “M” on them. These are the exact cups that Kate holds in the second issue of folder hook. 4, down to the line that decorates the cup. Even some of the comics’ more obscure stylistic elements can be found in the credits sequence, such as the clips of Kate and Clint that are framed by an arrow from whitespace. This is very similar to the cover folder hook. 4 # 6, showing Clint aiming his bow while also being surrounded by an arrow from whitespace.



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